https://www.lasvisitas.org/gallery-1 daily 0.75 2017-11-28 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1509148439181-GIP88GR41Q2KFDODQ2KE/dark_room.png Gallery-1 - Dark Room In a large scale video projection and stereo sound system, a continued flow of digital abstraction and re-configuration generates the overall immersive experience of this piece. A generative algorithm creates a mapping color visualization of the digital image from Guided Visits project archived videos from Portugal, New York, and various locations in Argentina. Then, this data generates the soundtrack of the piece. As opposed to music visualizations, where the music generates images, this piece explores generating digital data and music from the image as source. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1509148439181-GIP88GR41Q2KFDODQ2KE/dark_room.png Gallery-1 - Dark Room In a large scale video projection and stereo sound system, a continued flow of digital abstraction and re-configuration generates the overall immersive experience of this piece. A generative algorithm creates a mapping color visualization of the digital image from Guided Visits project archived videos from Portugal, New York, and various locations in Argentina. Then, this data generates the soundtrack of the piece. As opposed to music visualizations, where the music generates images, this piece explores generating digital data and music from the image as source. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1509149331598-MHGEJ53P66MBZTIH4SW2/Maxi_space.jpg Gallery-1 - Maximum https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507600762602-LP2CGY78A9MZ418T2RS6/prision_x.jpg Gallery-1 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507600743642-TYLVKC4JTIZCDTWBZEJ6/prision_xy.jpg Gallery-1 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507079214776-0YVQTH30ZVYBJXFK7BTA/salt.jpg Gallery-1 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1509148649291-N6QXLOH63LEA6XOE4LBK/image-asset.png Gallery-1 - En lugar https://www.lasvisitas.org/gallery-1-1 daily 0.75 2016-01-16 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1452906186120-LQGWZM8FR8S9TXA8NCXJ/1-HP_lauren-winter-20150715-IMG_0636-v1-FINAL-v2.jpg Inspire_gallery-1 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1452906186120-LQGWZM8FR8S9TXA8NCXJ/1-HP_lauren-winter-20150715-IMG_0636-v1-FINAL-v2.jpg Inspire_gallery-1 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1452906205775-WUV99NDJM8ZBAPSW58DZ/5-HP_cuero-and-mor-editorial-Lookbook%2B2-FINAL.jpg Inspire_gallery-1 https://www.lasvisitas.org/journal daily 0.75 2016-01-16 https://www.lasvisitas.org/journal/2016/1/15/test-card monthly 0.5 2016-01-16 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1452904575028-BBW4IPK8XIGQ7O8LF3FI/image-asset.jpeg Journal - test card https://www.lasvisitas.org/journal/2016/1/15/card-test-1 monthly 0.5 2016-01-16 https://www.lasvisitas.org/journal/category/Tools monthly 0.5 https://www.lasvisitas.org/journal/tag/creativity monthly 0.5 https://www.lasvisitas.org/home daily 0.75 2017-10-04 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453135933811-ENR10T2UIKW2OK5X7NJ8/4-HP_lauren-winter-20150715-IMG_7316-v1-FINAL.jpg Home https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453585811749-F6VIWHSXMQ7ZAOFFKVM2/cover_participation6_w.jpg Home https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1452901590921-XNT7TYH66T1YQC4XE27R/6-HP_cuero-and-mor-editorial-Lookbook%2B4-FINAL.jpg Home https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453331463386-8OBTA76FIW9NAT2IGZIU/banner_w_1500x1000.jpg Home https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453331546730-NHYTK2MWC3PHNU6ZL8F7/banner_w_1500x1000.jpg Home https://images.squarespace-cdn.com/content/v1/560c458be4b0af26f729d191/1444348306709-UKQRJAOH00IQPWENYTLY/image-asset.png Home https://www.lasvisitas.org/gallery-2 daily 0.75 2016-01-16 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1452906348372-2TM85K7WMYRDEMEFF34Q/4-HP_lauren-winter-20150715-IMG_7316-v1-FINAL.jpg Inspiration_Gallery-2 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1452906348372-2TM85K7WMYRDEMEFF34Q/4-HP_lauren-winter-20150715-IMG_7316-v1-FINAL.jpg Inspiration_Gallery-2 https://www.lasvisitas.org/gallery-3 daily 0.75 2016-01-16 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1452905090201-K30M8U7H7TS9X2IHFAQX/7-HP_cuero-and-mor-editorial-Lookbook%2B3-FINAL.jpg Gallery-3 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1452905090201-K30M8U7H7TS9X2IHFAQX/7-HP_cuero-and-mor-editorial-Lookbook%2B3-FINAL.jpg Gallery-3 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1452905114717-97Y8WVVXA1DGEZY8IGGD/4-HP_lauren-winter-20150715-IMG_7316-v1-FINAL.jpg Gallery-3 https://www.lasvisitas.org/early-works daily 0.75 2017-10-04 https://www.lasvisitas.org/earlier-works daily 0.75 2025-12-28 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507078951818-4BIGUXDU6PE4V1G32D3P/huevitos_1.jpg Earlier works - Incubate, an interactive video installation [ Still from video composition, Incubate] Incubate is an interactive video installation and projection that uses sensors and layered animations to connect image-based narratives. The installation consists of five white cushions equipped with micro-switches that are connected to a computer. Additionally, there are thirty short looped videos varying from 45 seconds to 3 minutes in duration and 15 still images, all of variable dimensions. When participants sit on the cushions, these trigger random video animations that are layered over still images and move from left to right on a large screen displayed in the center of the room. Each time a participant sits on a pillow, they activate a signal that displays layers, multiplies, compounds, and changes the visual content and overall screen composition. The projected images, captured from everyday places, trips, and studio settings, revolve around the egg, a primary subject. In Incubate and Egg(o)ness, I explored possibilities for including the viewer's individual and group interaction within the installation to complete the experience of the artwork. An analog/digital interface connects a microphone and signals from micro-switches to a computer. The devices receive the inputs and operate through a simple application, connected with the physical installation. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507078951818-4BIGUXDU6PE4V1G32D3P/huevitos_1.jpg Earlier works - Incubate, an interactive video installation [ Still from video composition, Incubate] Incubate is an interactive video installation and projection that uses sensors and layered animations to connect image-based narratives. The installation consists of five white cushions equipped with micro-switches that are connected to a computer. Additionally, there are thirty short looped videos varying from 45 seconds to 3 minutes in duration and 15 still images, all of variable dimensions. When participants sit on the cushions, these trigger random video animations that are layered over still images and move from left to right on a large screen displayed in the center of the room. Each time a participant sits on a pillow, they activate a signal that displays layers, multiplies, compounds, and changes the visual content and overall screen composition. The projected images, captured from everyday places, trips, and studio settings, revolve around the egg, a primary subject. In Incubate and Egg(o)ness, I explored possibilities for including the viewer's individual and group interaction within the installation to complete the experience of the artwork. An analog/digital interface connects a microphone and signals from micro-switches to a computer. The devices receive the inputs and operate through a simple application, connected with the physical installation. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507078953843-XTB6098NZE4LECBCAJNU/huevitos_2.jpg Earlier works - Incubate, an interactive video installation Still from video composition https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507078963672-AB0H3DRTKDA37BE2OAIL/huevitos_4.jpg Earlier works - Incubate, an interactive video installation Still from video composition https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507078957779-0DZBLZUOHQCBBNULRVW4/huevitos_3.jpg Earlier works - Incubate, an interactive video installation Still from video composition https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1543625843311-QXKUGCF336TH6HD1YEQF/incubate-install.jpg Earlier works - Incubate, an interactive video installation [ Still from video composition, Incubate] Incubate is an interactive video installation and projection that uses sensors and layered animations to connect image-based narratives. The installation consists of five white cushions equipped with micro-switches that are connected to a computer. Additionally, there are thirty short looped videos varying from 45 seconds to 3 minutes in duration and 15 still images, all of variable dimensions. When participants sit on the cushions, these trigger random video animations that are layered over still images and move from left to right on a large screen displayed in the center of the room. Each time a participant sits on a pillow, they activate a signal that displays layers, multiplies, compounds, and changes the visual content and overall screen composition. The projected images, captured from everyday places, trips, and studio settings, revolve around the egg, a primary subject. In Incubate and Egg(o)ness, I explored possibilities for including the viewer's individual and group interaction within the installation to complete the experience of the artwork. An analog/digital interface connects a microphone and signals from micro-switches to a computer. The devices receive the inputs and operate through a simple application, connected with the physical installation. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507600777640-JZYDSTA44ULDO368NOY0/eggoness_2.jpg Earlier works - Egg(0)oness, an interactive sound installation Installation view https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507600782400-AGD2BK118TETVQFQHPJN/eggoness_1.jpg Earlier works - Egg(0)ness, interactive sound installation Installation view: Egg(0)ness Egg(0)ness is an interactive sound installation that explores the relationship between language and images, specifically at the level of the sentence as a grammatical unit of meaning. The installation consists of three stands, two synthetic eggs containing speakers, a microphone, a CPU, a customized mp3 player application, and 240 independent mp3 files. The dimensions of the installation are variable. The concept behind Egg(0)ness is that a sentence is the first grammar unit of meaning. To create the installation, I collected 250 sentences from a range of sources including TV, newspapers, street conversations, books, radio, and emails. These sentences were then reproduced and recorded by a text-to-speech digital synthesizer program. When a participant speaks into the microphone, the software randomly selects a sentence from the library and plays it through the two eggs. The stands with the eggs are close to each other, but the microphone is a few steps away. The voice of the eggs is very soft and monotonous, and doesn't give the speaker enough time to talk into the microphone and run to hear the sentences from the eggs. Often, the spectator needs someone else to speak into the microphone and to stand near the eggs to make an effort to understand and listen to the unison eggs. The relationship between volume and distance makes it necessary for multiple people to simultaneously participate in the expectancy of each phrase. The installation objects and spatial design, along with the customized mp3 player, speakers, and microphone, work together to create an immersive and interactive experience for participants. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507600785280-0UIHXL66MNF3CVTKWTR6/eggoness_0.jpg Earlier works - Egg(0)ness, an interactive sound installation Installation view https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507600718743-NEO12R6PCI8Q0NPC0NDK/self_p.jpg Earlier works - Self-portrait (azulino) Wood chair with metal and wood armature, video projector and video player, and 5-minute video and sound loop. Variable dimensions. The self-portrait is a video projection about aiming and not succeeding in representing the self from outside the self. It consists of an old country chair and a video projector mounted on a rough metal and wood armature. A video is projected over the chair like a pillow. The projection shows images of the artist watching herself and washing her face using a mirror as a fountain and a combination of still photos from objects and landscapes referred to as personal “likes,” as if they extend what we might consider and perhaps even sense as identity. The Self-portrait unfolds the representation of the self by combining a particular object, a rough wooden family heirloom chair, and time-based media. While the digital elements flow into their own loop, the chair remains a container with a static presence of empty space. The video shows associations of images and personal metaphors. The references connect the significance of blue in Zen culture, where blue represents qualities related to air and water (shapeless, invisible, insipid elements), an immersive void that everything fills and wets. Describing a spiritual quality through a material behavior, the blue color was translated to water and combined with a mirror. These two elements are connected through washing as a way to submerge to emerge, the impossibility of looking into the other and mysterious identity of consciousness, and the impossibility of disposing of the subjective self from within the self. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1543619516606-P30HRESI1ATD1PFDQBQM/The-views-vanishing.jpg Earlier works - The View’s Vanishing (Still from video installation) Three white chairs making up a circle. Three video projectors and video players. Three different videos looped in 2-minute durations. Three white chairs make up a circle in a dark room. There is a video projector on each of them. The videos show series of pictures of real objects, things, and spaces organized in pairs of transitions. Each sequence is different for each chair. At the end of every sequence, we can see the same action of getting clean/to become dirty edited in positive and negative modes. The spectator could answer to the chair’s functionality, and receive the projected image as a beam over her/his body. In this way, the spectator becomes the image support, and there he is able to play in a freeway and transform the projected image by his movements. When the spectator is not there we can see the images projected on the chair’s emptiness. The image related to communication, through potentiality and limits. Technologies contribute to the possibility of communication, and maybe they could bring us closer, show us the possibilities and the hopes of building a space where to listen and where to talk. The view’s vanishing is a semantic game between image, tact, link, communication, vanishing, remoteness, and limit. The image –one image- could be all of them or even none. It appears in others’ bodies, emerges, in intimacy, in the hands’ emptiness. The use of hands a metaphor for the power of acting, talking, pointing, and touching. The strategy of the view as images of the reality, cutting on urban, domestic, and private spaces, and this process referring to the collector’s or the fetishist’s passionate attitudes, the one who films himself at home and shows it online. Is in the emptiness of solitude the fateful presence of distance? Like a little present, the image appears. We lose it. The present desire is always there, there is not even a trace, but just the untouchable beings, the fragile space of just a moment to forget between memory and permanent obscurity, between the thing and the concept. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507079085315-NE8DQNT3S1U1EPI5CYK0/Lupas.jpg Earlier works - Juego de lupas Color photography and text mounted on round glass with hardware Each circle is 25 1/2" diameter x 1/2" thick. Magnifying Glass Game is a project about cultural representation and circulation. In this piece from 1999, I explored how collages of high school classroom instructional aides and textbooks about chemistry, physics, biology, grammar, and history could be reframed to modify one's reading through fragmentation of the information. Once the collages were finished, I introduced a giant magnifying glass apparatus to focus on the interface between photography and information. I approached the idea of reframing the fragments of information in the collages through the action of reading. The presence of the magnifying glass became the metaphor for my thoughts about the presence of the shared meaningful data that frames the reading and understanding of exploring the world from a local and focal subjective point of view. The magnifying glass and the lens of the photo camera froze the relationship between fragmentation and pointing to locate meaning, sizing down while magnifying. The re-configurative aspects of collage and writing linked exploring, reading, and representing. In addition to the two-color images of the magnifying glass against a building and the text next to the image, 6 collages and a photography series were integrated into a creative essay for the Argentinean magazine Akiut. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507079038009-D1765SJ7J9U51YKI4HT3/Lupas-3.jpg Earlier works - Juego de lupas detail https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507079054466-WBVEQ0KAFS8OQ5LIIRV8/Lupas-4.jpg Earlier works - Juego de lupas detail https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507078998693-04W2OPIQBB688WXV76JN/Lupas-2.jpg Earlier works - Juego de lupas detail https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507600730234-9PI8BRHIA4KI4Q5EJ7KC/skin-abstraction_components.jpg Earlier works - Body abstractions film mural Photo film pattern on the wall, site-specific configuration, and a brief set of instructions. Body abstractions are site-specific pattern configurations, Pantone color adhesive film cut-out shapes, and instructions. This is the set of instructions for creating this piece and those that follow: Start of the art piece - arrive at the location and select a wall or surface for the artwork to emerge. Use the set of basic shapes and colors (colors range from the human body to the image, which shows sets closer to those selected by the author and can be customized). Arrange them to improvise patterns that feel right at that moment, as is in this unique way. The layout shall follow the notation to show its composition rhythm; listen within. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507079195159-RKJHQ0ZGW7PZBHW15WNO/salt-5.jpg Earlier works - Ephemeral salt drawings These salt drawings were part of my exploration of the ephemeral work I was making. At an abandoned warehouse, I used salt and physical movements as the primary material to draw in time and space about my body, marking its presence in space. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507079181169-26ZXSMABFXTMCIPJGOEC/salt-4.jpg Earlier works - Ephemeral salt drawings detail https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507079161185-MROA86I3A6RS59UD12BS/salt-3.jpg Earlier works - Ephemeral salt drawings detail https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507079134109-7PEXWL5KG0U05XGBU4AS/recol-perfm.jpg Earlier works - We Weren’t Meant for the Same Paths, By Re-colectivo Collective We Weren’t Meant for the Same Paths is a public art project focusing on the Argentine economic crisis. It involves performances, graphic interventions in public transportation services, and essays published in the city of Cordoba’s newspaper. We worked as a collective of sixteen artists to explore social issues related to Argentina’s economic and social crisis in 2001. Over a year, the collective worked together to develop concepts and strategies for a project around the public transportation system. The project included performances and graphic interventions to prompt the public to question their perception of private and public spaces. Daily performances were conducted in public buses, showcasing behaviors typically considered private, such as someone doing their laundry or offering free manicure services. Regular passengers of these urban bus lines were invited to participate in these events, which provided a performance experience. Through these performances, people could grasp the ideas behind the project, fostering a rethink of the political and poetic aspects of our individual lives within the collective context of society. A collaborative project by Re-Colectivo: Alejandra Bredeston, Alejandro Maiolo, Azul Ceballos, Graciela Rasgido, Jorge Díaz, Liliana di Negro, Lucas Di Pascuale, Maurício Dias & Walter Riedweg, Marcilio Braz, Magui Lucero, Sandra Mutal, Sara Carpio. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507079148363-SWBX604VK28FJ2P9J5R3/recollect.jpg Earlier works - We Weren’t Meant for the Same Paths, By Re-colectivo Collective https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507078878228-3ONE578GV57IUA40FK0M/ObjAg.jpg Earlier works - Foreign Object Foreign Object is a sound-based, site-specific intervention (multidisciplinary collaboration project). Four vehicles with speakers and radio frequency receivers, six transmitters at three different frequencies, two live microphones, a computer, and a Pure Data application. The site-specific intervention or temporary installation at Cordoba’s old food market disrupts the sonic space using radiofrequency, speakers, microphones, and a live sound processing system. Small vehicles with speakers and radio receptors were created to transmit a changing mixed sound signal from radio receptors and emitters installed on the building. In collaboration with Gustavo Crembil, Laura Benech, Lila Pagola, Monica Jacobo, and Yamil Burgener. Location: Mercado Norte, Cordoba, Argentina. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507078896316-P9A12NVX3ELIAYA3ANQT/paltas_1.jpg Earlier works - Paltas Paltas is a photo mini-essay about this fruit in various contexts, exploring color and visual language. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507079116039-HXGWSGAH30I8T6QC3FFK/Prision_1.jpg Earlier works - Prisons, photo collage https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1520605844010-3RVZT2XBZ6HH06E0UVCG/image-asset.jpeg Earlier works - Primary Background, polarization Primary backgrounds and polarization explore the image as a surface about vision, feeling, and intuition. The delicate shifting relation of meaning production, front and back, subjects of unconscious processes, unit, unity, structure, and gap. This video belongs to a series of photographs and graphics exploring these ideas in digital and print formats. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1513022681815-DXRDAG6614CMOEE9X43I/image-asset.jpeg Earlier works - Maximinimum Generative video and sound. Large scale projection. https://www.lasvisitas.org/guided-visits daily 0.75 2026-02-24 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1509148406713-ETKALJ1S1HAYXDVBS3AF/dark_room.png Guided Visits https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1765805813231-BFZNW20V9X4EKA73D2SH/latina-C.png Guided Visits - MyWonderousRetroSlideShowDjz (Mexico, Guatemala, Argentina, 2025) Digital photography and video, web-based application, and selected Spotify playlists, view: https://mywonderousretroslideshowdjz.vercel.app/ https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1765805625381-LXNRU5HG8ASC89HPKHEU/image-asset.png Guided Visits - MyWonderousRetroSlideShowDjz (Mexico, Guatemala, Argentina, 2025) Digital photography and video, web-based application, and selected Spotify playlists, view: https://mywonderousretroslideshowdjz.vercel.app/ https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1767097810589-RGB86T55TIBTQHWV01DK/image-asset.jpg Guided Visits - Visits Dark Room (recent version 2025, first version 2017, video archive started in 2007)) Dark Room: https://visits-dark-room-2.vercel.app/ Dark Room is a large-scale audiovisual installation that transforms visual memories into an immersive flow of color and sound. How it works The program analyzes color values from video footage and translates them into real-time generative soundscapes. As colors shift across an 8x8 grid, an algorithm maps their RGB values to piano notes, creating a continuous ambient composition. Each color becomes a tone—brighter colors produce louder notes, while variations in hue determine pitch. This "digital alchemy" transforms ordinary visual data into an evolving sonic experience. The archive The videos come from a participatory project exploring meaningful places in Portugal, New York, and Argentina. Participants guided visits to seemingly ordinary locations—sites where they experienced something significant. These aren't monuments or landmarks, but personal places: a street corner, a park bench, a building entrance—locations charged with memory and meaning. During each visit, participants became guides, uncovering layers of time and significance embedded in these everyday spaces. Acting as urban archaeologists, we used dialogue and storytelling to reveal the invisible meanings people attach to places—a constellation of personal histories made visible through the simple act of visiting. The experience Dark Room creates a vibrational encounter where archived memories become present through color and sound. The installation invites viewers into a realm where the ordinary transforms into the extraordinary, where personal geographies dissolve into shared sensory experience. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507078349602-N963DOD367A7IYJ5L3CG/Visit_3.jpg Guided Visits - zjzhzhzhzhz vgvgvgvgv https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760395645075-NYEQ6ENB1EXKNRYNAFK4/image-asset.png Guided Visits - Visits CDMX I - Of Water Resiliency (2024, Ciudad de México, MX) Installation video — Of Water Resiliency Water moves like a thought — adapting, caring, connecting. This video grew from a walk and a conversation with another artist, following the current of creativity and renewal. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760394555175-M1AEY2NM44F0W4DL9JYO/Visits-Hers-1.jpg Guided Visits - Visits traveling bookcase I The traveling bookcase contains 12 open-ended short stories printed and folded on paper. The stories were inspired by conversations with 12 women from New York, Lisbon, Evora in Portugal, and Cordoba, Argentina. It is made of wood, fabric, and metal hardware. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1714940973632-DT7YVR010A9FNVGP1NPN/Visits-Hers-2.jpg Guided Visits - Visits traveling bookcase I https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1714940974682-Y1CTGQ09L99JFD00KB89/Visits-Hers-3.jpg Guided Visits - Visits traveling bookcase I https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1615263719250-IWEIA7X8ACLITIW17LX7/triptico_framed.jpg Guided Visits - Abstract range composition #1, #2, and #3, New York and Argentina C-print on photographic paper triptych, 17 x 22 ins. / 44 x 56 cm each, 56 x 26 ins / 1.42 x 66 cm framed Guided Visits, abstract range composition, is a tryptic graphic of a map and pattern combining digital photographs and color fields. The images render a diagram of relations by associations between personal relationships, visiting places, and clothing. I requested a change of clothing for my relationships, friends, and family in the countries I call “home,” Argentina and the United States. I traveled back and forth from New York to Argentina and visited a place dedicated to each person dressed in the person’s clothing. Once at the location, I took a picture and a self-portrait of myself there. The photographs document a layer of significance within the woven net of associations pertinent to this perimeter of the image and following the variables of a “game” in the piece’s program or diagram. Abstracting and documenting a gesture that takes all these linkages in the form of an artifact, a frontal portrait, in a personal perspective. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507079542733-L72OVFZKTFCXBSPL1CZC/Visit_2.jpg Guided Visits - Abstract range composition #1, #2, and #3, New York and Argentina Detail https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507078285295-T0QEXIYHY3Q8P9ZA9Z4C/huevitos_1.jpg Guided Visits https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507577486942-3T3JMUS8MN3PS0CY3Y6L/Visit_1b.jpg Guided Visits - Abstract range composition #1, #2, and #3, New York and Argentina Detail https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507577473103-HLBKWAY4HZQ87ONVTASU/Visit_3b.jpg Guided Visits - Abstract range composition #1, #2, and #3, New York and Argentina Detail https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507577458062-VTRS3VS4NY5JB0EHNOEO/Visit_4_b.jpg Guided Visits - Abstract range composition #1, #2, and #3, New York and Argentina Detail https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507165039943-CKASIA8JRMERS5B5P39T/maps_locations.jpg Guided Visits https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1513022791531-RSYCBM80ZJSQO075ZVF4/image-asset.jpeg Guided Visits - En Lugar Projected animations (no audio) En Lugar is a looped animated digital collage with text, extracts from transcripts of conversations from the Guided Visits series. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507167973202-1Z6BWCUQ22P7DJNJQ8CR/maps_locationsc.jpg Guided Visits https://www.lasvisitas.org/blog daily 0.75 2017-10-17 https://www.lasvisitas.org/ecology-of-imagination-experiments daily 1.0 2026-02-24 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1763560959832-8L9BJ3U6NF0WU0TDDLWA/chromatic-waters.png Creative ecology of imagination - Chromatic waters Explore here: https://chromatic-waters.vercel.app/ This sound and digital interactive piece is part of my work with environmental underwater sound recording and my material and technology research. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1763560959832-8L9BJ3U6NF0WU0TDDLWA/chromatic-waters.png Creative ecology of imagination - Chromatic waters Explore here: https://chromatic-waters.vercel.app/ This sound and digital interactive piece is part of my work with environmental underwater sound recording and my material and technology research. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760660886508-FF2ZIF2LFOFHZ3W5H6O4/Fresko.jpg Creative ecology of imagination - Fires of the Sun and the Earth (2025, Oaxaca, Mexico) Medium: geomantic fresco mural created with Mayan and mineral pigments, integrating principles of solar geometry and geomancy. This mural was developed at the Oaxaca School of Muralism, guided by Mexican muralist Jesús González, and in collaboration with regenerative Guatemalan architect Rocío Araujo. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1764976893430-K0QD3BA2T52FJOVVSQ1W/cy.jpg Creative ecology of imagination - Mirrorment I, Searching for Diffracting (2025, Argentina) Cyanotype on cotton fabric with natural sheep wool felt from Argentina 40 × 60 cm https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1766929157884-L1DZ1LFFGWW2U3S34RID/dreamedspool.jpg Creative ecology of imagination - Vapor leads (2025, Argentina) Natural sheep wool felt on natural cotton fabric 35 × 65 cm https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760310643178-KB7QOMP0MUDZIE955085/biomat.JPG Creative ecology of imagination - Translucent Organism (2024, Brooklyn, NY) Materials: gelatin, glycerin, sodium propionate, and blue food pigment. This biopolymer sculpture explores the fluid boundary between organic and synthetic matter. Created through a process of controlled heating, cooling, and spontaneous deformation, the material retains a fragile translucency that evokes marine membranes and vegetal tissues. As it dries, it bends and curls into unpredictable forms, embodying both growth and decay in a single gesture. While I have long worked with fabrics, paper, water-based media, found objects, and technology, Translucent Organism marked a turning point in my practice: the beginning of my research into biomaterials as regenerative living archives, translating laboratory learning into a sensory meditation on ecological temporality, fragility, and care. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760660040616-6BHGQ307BF5XTLYS7U2D/image-asset.jpeg Creative ecology of imagination - The Sea Is a Soft Machine and Tactile Memory (2025) Materials: organic cotton textile (2 x 5 m) painted with añil (indigo) dye from Santiago de Niltepec, Oaxaca, hand-embroidered with naturally dyed cotton cords; includes 20 spherical magnets, six metal pulleys, and custom motion elements, stainless-steel spheres, seed pods, a round mirror, and a found child’s chair sculpted with natural pigments, bioplastics (potato starch), and sea salt. Technology: mechanical servo motors, Arduino board, and video projection. Activated by a live sound performance at LM Studio, the piece transforms the gallery into a fluid space of resonance and movement. By utilizing indigo-dyed textiles made through traditional Oaxacan and Japanese techniques, it bridges the gap between traditional craftsmanship and contemporary experimentation. By combining organic materials, found objects, and small mechanical systems, “The Sea Is a Soft Machine” reflects on the complex relationship between human technology and creation, as well as our interdependence with nature, technology, and memory, highlighting our complex relationship with the vast sea. Tactile Memory (complete series) 2025, Hyères, France 18 sheets, 21 × 29.7 cm each Mixed media: cyanotype, India ink, añil pigments on cotton rag paper https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1767095274085-BULE3PC5WH0FTLGGBOFR/lamerisasoftmachine.jpg Creative ecology of imagination https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760799832305-2GO0WECNNH7AOQ2INBLJ/amniotic-syrenix.JPG Creative ecology of imagination - Amniotic Suspension of a Marine Being I: Studies of a Sirènx serie (2025, Hyères, France) Botanical pigments — rosemary, cempasúchil, and palo de Brasil tinctures; cochineal, avocado, Mayan blue, and indigo watercolor pigments (dry and wet); ceramic bead; Sennelier French Ultramarine Blue and Cyan watercolors bound with honey and gum arabic; India ink and graphite on cotton paper 50 × 65 cm https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1766929088469-M6685GHTW59JNV31FV5L/amniotic-syrenix7.jpg Creative ecology of imagination - Amniotic Suspension of a Marine Being VII: Studies of a Sirènx serie (2025, Hyères, France) Watercolor on paper 24 × 32 cm https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760800507764-R7FE8E1Z7C0XNS7G6G51/nebula.jpg Creative ecology of imagination - Amniotic Suspension of a Marine Being II: Studies of a Sirènx serie II (2025, Hyères, France) Botanical pigments — Mayan blue, and indigo watercolor pigments (dry and wet); ceramic bead; Sennelier French Ultramarine Blue and Cyan watercolors bound with honey and gum arabic; India ink and graphite on cotton paper 50 × 65 cm https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760801487599-XKEDXXDFVO9RJAEYCCEC/Bio-Untitled_biombo.jpg Creative ecology of imagination - Amniotic Suspension of a Marine Being III: Studies of a Sirènx serie (2024, New York, USA) Watercolor pigments (dry and wet); India ink, graphite on paper over wood frame https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1763575347250-097W8Z4DS4PO3NNS16HW/chromatic-waters.png Creative ecology of imagination - Chromatic waters (2025) Explore: https://chromatic-waters.vercel.app/ This interactive digital sound piece forms part of a broader investigation into environmental acoustics, sensor-based technologies, and the material poetics of place. Recorded underwater in the Calamuchita and Suquía rivers of Córdoba, Argentina, the work draws from the canto rodado — the resonant friction between rock and current. Through this interplay of softness and solidity, motion and rest, the piece invites a sensory encounter with a landscape in constant change. It is an encounter between hardness and softness, stillness and flow, freedom and weight — a conversation between the river’s body and its moving breath. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1767100705508-KDRH0EKEV0XCOSJUWF3N/copper-piece.jpg Creative ecology of imagination - wearable piece (2025, Argentina) Wearable copper weaving for technology integration. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760661311474-Y884BJW117BQI8L7VQJ7/Paper-cotton.jpg Creative ecology of imagination - Seeds of Light, Breath of the Earth (2025, Oaxaca, Mexico) Materials: handmade paper composed of pochote fiber (softened by cooking with sodium carbonate) and white cotton, incorporating mica mineral and natural tinctures of cempasuchil, grana cochinilla from nopal, granada, and añil (or indigo). This work emerges from a process of material listening—mixing botanical dyes and earth-based substances into the pulp to let color, light, and seed interact as living elements. It unfolds as an act of transformation and renewal, where vegetal, mineral, and pigment coalesce into living matter. The paper becomes a terrain of metamorphosis: pigments bleed and fuse, mica captures fleeting reflections, and coriander seeds hold the potential of future growth. Its luminous surface arises from the dialogue between fibers, dyes, and embedded minerals—each element capturing memory differently. The ochres and blues recall earth and sky, while cochineal and marigold carry the warmth of fire and sun. Created through traditional Oaxacan papermaking methods, the piece becomes both surface and soil—a meditation on fertility, impermanence, and the regenerative intelligence of materials, where matter records the memory of its making. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760661651004-2281LJE4JTQ3D9RIQ4WB/combonauta-2s.png Creative ecology of imagination - Matternauta (2025, Oaxaca, Mexico) The lamp is woven from rice paper and vegetal fibers, dyed with cempasúchil, lime, and palo de Brasil, and features seashell pendants collected from the Oaxacan coast. The paper hat is tinted with beet tincture. The earth-painted textile beneath is cotton prepared with eucalyptus and painted with soil from the Mixteca region. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1767096120064-51W5ZB9KFK9B7VZ0AA8N/wearables.jpg Creative ecology of imagination - Weave of the Wind, wearable fabric works (2025, Mexico & France) Materials: añil-dyed cotton, embroidery, seashells, natural pearls, and quartz stones. The Argentinian poncho is a hybrid garment rooted in Indigenous textile traditions and gaucho culture. Worn across the Pampas and Andes, it carries histories of resistance, protection, and identity—now reimagined as a contemporary art-ritual garment, blending ancestral textile knowledge with wearable art materials. Dress in collaboration with French-Senegalese designer Youssoupha (Diweye Cr.ations) — sculpted off-shoulder bodice, front cargo pockets, and a flowing silhouette in indigo-dyed cotton — becomes a gesture of belonging and wind-like movement, a wearable landscape that carries memory, resistance, and renewal across geographies. These pieces are part of a series of ritual garments that reinterprets the Argentinian poncho—a hybrid form rooted in Indigenous weaving and gaucho traditions —and through contemporary design and cross-cultural dialogue. Each piece merges ancestral textile knowledge with sculptural tailoring and symbolic ornamentation, weaving together protection, identity, and transformation. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1767095132726-QB23P4N5AUVZ6CAJES5X/LivingChair-Sculpture-for-spiders-prototype.jpg Creative ecology of imagination - LivingChair and Sculpture for and with spiders (2024, Etla, Oaxaca, Mexico) https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1767100684914-V1BVWI0JJ2G785WK1JH8/vests-photo_s.jpg Creative ecology of imagination - wearable fabric works (2025, Argentina) Woven and embroidered fibers and cooper wire, digital photography transferred on cotton https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760737046881-5NMZN1S77FTRYF5TY0CV/image-asset.png Creative ecology of imagination - The humidity reader The air speaks — The Humidity Reader listens. Slightly sweaty, totally fabulous. 100% attitude. I ❤️ sound art Medium and materials: humidity and temperature, plant, soil, water, sunlight Technology: Arduino + DHT22 sensor (humidity and temperature data), OpenFrameworks for real-time sound and visualization This ongoing experiment translates environmental data from a living plant into generative sound and motion graphics. Variations in light, humidity, and temperature produce shifting tones and rhythms, allowing the environment to “compose” its own score. The work explores how technology can serve as a translator of ecological intelligence, revealing patterns of communication between living systems and digital interpretation. Through this prototype, I have become increasingly aware of the energetic and material footprint of the tools that make such translation possible. This insight opens a critical inquiry for my next phase of research: how to design low-power, biodegradable, or repairable interfaces that minimize waste while maintaining sensory richness. The project thus becomes both an artwork and a test site for rethinking technology’s role within regenerative ecosystems. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1760394248352-J7UOVH6NQ71M0XEZ2CAV/image-asset.jpeg Creative ecology of imagination - The Humidity Reader (2025) Medium and materials: humidity and temperature, plant, soil, water, sunlight Technology: Arduino + DHT22 sensor (humidity and temperature data), OpenFrameworks for real-time sound and visualization This ongoing experiment translates environmental data from a living plant into generative sound and motion graphics. Variations in light, humidity, and temperature produce shifting tones and rhythms, allowing the environment to “compose” its own score. The work explores how technology can serve as a translator of ecological intelligence, revealing patterns of communication between living systems and digital interpretation. Through this prototype, I have become increasingly aware of the energetic and material footprint of the tools that make such translation possible. This insight opens a critical inquiry for my next phase of research: how to design low-power, biodegradable, or repairable interfaces that minimize waste while maintaining sensory richness. The project thus becomes both an artwork and a test site for rethinking technology’s role within regenerative ecosystems. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1726198283086-61AX1GTDT6NJCU3IMCK0/VCDMX-inst-int.jpg Creative ecology of imagination - Visits CDMX I — Of Water Resiliency (2024, Ciudad de México, MX) Visits CDMX I — Of Water Resiliency (2024, Ciudad de México, MX) Indoor gallery installation view Materials & Techniques: Rooftop and indoor gallery intervention – rainwater sculpture using cement, transparent plastic tubing, LED light, and repurposed glass vessels with video projection on a suspended plastic container. Floating Texts – vegetable paper and graphite infused with glycerin. Paper Bodies and Found Boxes – handmade recycled paper with fibers from Casa Lu’s garden and the bark of a fallen neighborhood tree; black ink, blue pigment, corn fibers, soil, clay, lime, and natural pigments. Found a wooden box with a metal key. The installation "Of Water Resiliency" explores water’s circulation as both a material and a metaphor for adaptation. Rainwater collected on-site flows through a sculptural network of tubes and glass vessels, illuminated by soft LED light and accompanied by a video reflecting water’s various states—liquid, vapor, and sediment. It highlights Mexico City’s fragile relationship with its underground rivers and droughts, rooted in ancestral wisdom about our connection to the unknown. Created during a rainy season after a severe water shortage, the work embodies resilience in women, water, and waste. The accompanying video, made after a walk conversation with a fellow artist, deepens these themes of care, interdependence, creativity, and renewal. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1726198144225-N9M6PX6M8NUO837GZZBR/VCDMX3.jpg Creative ecology of imagination - Visita CDMXIII Hand-made paper made with fibers from a garden in CDMX, Casa Lu, black ink and blue pigment, rectangular wood box with metal key, 6.2 x 4 ins. Papel hecho a mano con fibras del jardín en CDMX, Casa Lu, tinta negra y pigmento azul, caja rectangular de madera con llave de metal, 16 x 10 cm https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1726198190678-3AKBDCEFT705VY6NM77N/VCDMX1b.jpg Creative ecology of imagination - Visitas CDMXI Floating text, vegetable paper, 3.15 x 8.7 ins. Texto flotante, papel vegetal, 8 x 22 cm https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1726198877321-CPIWVSU3TLWH4JHOOOXJ/VCDMX2.jpg Creative ecology of imagination - Visitas CDMX fluyentes, glifos Glyph-inspired drawings created with soil and clay, painted double-sided in red and blue pigments on gallery glass walls. These marks represent ideas exchanged during dialogues with invited participants in the Guided Visits creative process. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1726198314654-8O8Z1SBIGJMN1XG72M78/VCDMX-inst.jpg Creative ecology of imagination - Visitas CDMX fluyentes (roof rainwater sculpture) Visits CDMX I — Of Water Resiliency (2024, Ciudad de México, MX) Outdoor gallery installation view Materials & Techniques: Rooftop and indoor gallery intervention – rainwater sculpture using cement, transparent plastic tubing, LED light, and repurposed glass vessels with video projection on a suspended plastic container. Floating Texts – vegetable paper and graphite infused with glycerin. Paper Bodies and Found Boxes – handmade recycled paper with fibers from Casa Lu’s garden and the bark of a fallen neighborhood tree; black ink, blue pigment, corn fibers, soil, clay, lime, and natural pigments. Found a wooden box with a metal key. The installation "Of Water Resiliency" explores water’s circulation as both a material and a metaphor for adaptation. Rainwater collected on-site flows through a sculptural network of tubes and glass vessels, illuminated by soft LED light and accompanied by a video reflecting water’s various states—liquid, vapor, and sediment. It highlights Mexico City’s fragile relationship with its underground rivers and droughts, rooted in ancestral wisdom about our connection to the unknown. Created during a rainy season after a severe water shortage, the work embodies resilience in women, water, and waste. The accompanying video, made after a walk conversation with a fellow artist, deepens these themes of care, interdependence, creativity, and renewal. https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1767095064761-3CGFRJFOUFXNP78VXK31/Rain-flow-MX-inst.jpg Creative ecology of imagination - Of water resiliency, visits CDMX Installation (2024, Ciudad de Mexico, MX) Installation: rooftop rain-water collection sculpture including tubes and LED light, gallery soil and pigment drawings on glass wall and floor, video projector with video and sound piece from the visits project in CDM projected on plastic container and several small pieces: (1) Roaming territories, handmade paper with fibers from Casa Lu Art Residency’s garden and corn fibers, dirt, clay and acrylic paint, 6 x 8.3 ins. (2) Blueness from the sky to the water, handmade paper with fibers from Casa Lu Art Residency’s garden and blue pigment, 4 x 13 ins. (3) Off to the left, handmade paper with fibers from Casa Lu Art Residency’s garden and corn fibers, dirt, clay and acrylic paint, 11.8 x 18 ins. (4) Vist CDMXII, paper with fibers from Casa Lu Art Residency’s garden vegetable paper, 5 x 7.8 x 1.6 ins. (5) Vist CDMXIII, paper with fibers from Casa Lu Art Residency’s garden, black inc and blue pigment, found wood box with metal key, 6.2 x 4 ins. (6) hanging written lanterns made of vegetable paper, natural glicerine, graphite and india ink. https://www.lasvisitas.org/video daily 0.75 2017-10-04 https://www.lasvisitas.org/ss16-lookbook daily 0.75 2016-01-16 https://www.lasvisitas.org/description-2 daily 0.75 2015-10-29 https://www.lasvisitas.org/description-3 daily 0.75 2016-01-16 https://images.squarespace-cdn.com/content/v1/560c458be4b0af26f729d191/1444860260592-9MAUG7H2Y1755B34SN2R/image-asset.png Description-3 https://www.lasvisitas.org/description-1 daily 0.75 2015-10-29 https://www.lasvisitas.org/contact daily 0.75 2024-06-06 https://www.lasvisitas.org/about daily 0.75 2025-12-30 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1507336232634-EE3LB7FTCDCYP7NRXH92/azulC.jpg About https://www.lasvisitas.org/shop daily 0.75 2016-01-23 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453395085857-6RT8I786CHJQK2FH37ZK/cover-combinatorial_wingsWhite_w.jpg explore https://www.lasvisitas.org/shop/invention monthly 0.5 2016-01-23 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453586256231-HTJDGLSUMZZ326CULM0O/prduct-historical_leo_w.jpg explore - Invention https://www.lasvisitas.org/shop/exploration monthly 0.5 2016-01-23 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453586149076-CALX2SEMQWS91QN9JZHF/prduct-historical_pablo_w.jpg explore - Exploration https://www.lasvisitas.org/shop/problem monthly 0.5 2016-01-23 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453586094027-GEG509PDIK30P0Q5BJR0/prduct-problem_w.jpg explore - Problem https://www.lasvisitas.org/shop/participatiory monthly 0.5 2016-01-23 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453585985378-HY9GJY4R9IK010XLQEZR/prduct-instructions1_w.jpg explore - Participatiory https://www.lasvisitas.org/shop/instructive monthly 0.5 2016-01-23 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453396032918-NG9IDHSXOPJDGRA2K3HJ/prduct-instructions_w.jpg explore - Instructive https://www.lasvisitas.org/shop/bestiary monthly 0.5 2016-01-23 https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453397424913-POLPD31S0F9G9TEJ6CEV/cover-combinatorial_wingsWhite_w.jpg explore - Bestiary https://images.squarespace-cdn.com/content/v1/56993fe805caa7a89cf236f7/1453395325100-UR3B3V7OVV5AQE788KK6/image-asset.jpeg explore - Bestiary